Exploring a Vintage Photography Studio in Cesky Krumlov

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Art-Making in Prague's Creative Studios

Authored By:

Elizabeth Chapman

To cap off their week-long study of photography, CIEE Prague Global Navigators visited a late-18th-century photo studio, the Museum Fotoatelier Seidel. For generations, the studio served its community by documenting the lives of their citizens. If you were a Czech in the early 1900’s, you could expect to take a photograph only once or twice in your lifetime, so the experience was a special one. The waiting room of the studio was lavishly decorated to set the tone for the occasion:

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The restored wallpaper and gilded ceiling were designed to impress and relax customers who were about to have their portraits taken.
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The family also made their home in the same building as the studio.

Our Global Navigators were able to recreate that experience for themselves by posing with period costumes and backdrops:

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Theresa with the vintage cameras that the Seidel family would have used.
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2018 or 1918?

Although most industries declined during Europe’s early 20th century military struggles, the demand for photography actually increased as families took pictures of their loved ones before they went off to war. When the government took over the Seidel studio during the Soviet era, the meticulously catalogued glass plate negatives of this piece of Czech history were lost for a period; it has only been within recent years, with the restoration of the studio, that these artifacts have been made available to the descendants of their subjects.

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The studio kept the original glass plates and customer records for almost all of the portraits they shot.
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Ronnie with even more glass plate negatives in the attic.

Although students have been working with digital photography this week, they were able to get a taste of the physical origins of the form by using the equipment and techniques that the Seidel family employed in their studio.

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A vintage touch-up station -- artists would correct imperfections before the photograph was printed, just like Photoshop today!
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Lonnie in front of the printing machines.
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Nolan making a print in the darkroom; the red light is not detected by the photosensitive paper, allowing the photographer to see the process.

Students made photograms, or silhouettes of objects using photographic paper:

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Photograms being washed of the development fluid.

The experience gave students some new insight into both the mechanics and the history of photography.